Add a contemporary touch to your living room with this blue plastic armchair, featuring a simple and clean design. Its smooth material easily fits with a modern interior, whether accented with light wood, black metal, or some graphic textiles. Its seat is perfect for a reading break or a coffee, without overwhelming the space. This vintage-inspired model is suitable for both a relaxation corner and an office, where it adds a measured splash of color. Near a light wood coffee table, it complements an open book and a cup within reach. Width: 54 cm Depth: 46 cm Height: 82 cm Seat height: 46 cm Seat width: 38 cm Seat depth: 37 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and a reclining back, inviting conversation rather than rigid posture. Whether it is a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" chair, it embodies the evolution of the art of living.
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Description
Add a contemporary touch to your living room with this blue plastic armchair, featuring a simple and clean design. Its smooth material easily fits with a modern interior, whether accented with light wood, black metal, or some graphic textiles. Its seat is perfect for a reading break or a coffee, without overwhelming the space. This vintage-inspired model is suitable for both a relaxation corner and an office, where it adds a measured splash of color. Near a light wood coffee table, it complements an open book and a cup within reach. Width: 54 cm Depth: 46 cm Height: 82 cm Seat height: 46 cm Seat width: 38 cm Seat depth: 37 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and a reclining back, inviting conversation rather than rigid posture. Whether it is a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" chair, it embodies the evolution of the art of living.