This second-hand faux leather armchair in camel brown boasts a contemporary look, highlighted by the simplicity of its steel structure. The armrests and backrest, emphasized by piping along the seam, create a clean and comfortable seat, designed for extended pauses with a book or a cup. In a living room or an office, it easily fits next to a dark wooden coffee table, with proportions that allow the space to breathe. It pairs well with an adjustable lamp and a wool throw, creating a subtle and refined reading nook. Width: 50 cm Depth: 64 cm Height: 79 cm Seat height: 46 cm Seat width: 47 cm Seat depth: 48 cm A brief history of the armchair If the chair is made for work or meals, the armchair was born in the 17th century with a single mission: to provide rest. Its name derives from the Old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece furnished with armrests. Unlike the chair, it favors a wider seat and a tilted backrest, inviting conversation rather than rigid posture. Whether it’s a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.
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Description
This second-hand faux leather armchair in camel brown boasts a contemporary look, highlighted by the simplicity of its steel structure. The armrests and backrest, emphasized by piping along the seam, create a clean and comfortable seat, designed for extended pauses with a book or a cup. In a living room or an office, it easily fits next to a dark wooden coffee table, with proportions that allow the space to breathe. It pairs well with an adjustable lamp and a wool throw, creating a subtle and refined reading nook. Width: 50 cm Depth: 64 cm Height: 79 cm Seat height: 46 cm Seat width: 47 cm Seat depth: 48 cm A brief history of the armchair If the chair is made for work or meals, the armchair was born in the 17th century with a single mission: to provide rest. Its name derives from the Old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece furnished with armrests. Unlike the chair, it favors a wider seat and a tilted backrest, inviting conversation rather than rigid posture. Whether it’s a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.