A swift and efficient throwing technique and good wild, unwashed clay are the fundamental bases of his work, all completely fired in his large kiln.
Round and generous belly, ribbed neck, dome lid with knob grip, loop handle, and tapered spout.
The beige-cream glaze, applied in irregular drips, reveals the raw stoneware in places as well as blue-gray and mauve reflections—characteristic traces of ash deposits and flame variations specific to wood-fired traditional kiln.
He established himself in Boisbelle in 1981 with Josette Miquel, where he built his large Japanese reclining kiln with three chambers (noborigama of 9 m³) in 1985-86.
His works are included in public collections of museums in France (Decorative Arts, Sèvres, Cluny...) and in foreign museums (Germany, England, China).
He is a member of the International Academy of Ceramics (AIC).
Height 16.5 cm Width 24 cm Diameter approximately 15.5 cm Capacity 1 L ++ A chip on the neck and a pyrite during firing should be noted.
L: 24 l: 15.5 H: 16.5
A swift and efficient throwing technique and good wild, unwashed clay are the fundamental bases of his work, all completely fired in his large kiln.
Round and generous belly, ribbed neck, dome lid with knob grip, loop handle, and tapered spout.
The beige-cream glaze, applied in irregular drips, reveals the raw stoneware in places as well as blue-gray and mauve reflections—characteristic traces of ash deposits and flame variations specific to wood-fired traditional kiln.
He established himself in Boisbelle in 1981 with Josette Miquel, where he built his large Japanese reclining kiln with three chambers (noborigama of 9 m³) in 1985-86.
His works are included in public collections of museums in France (Decorative Arts, Sèvres, Cluny...) and in foreign museums (Germany, England, China).
He is a member of the International Academy of Ceramics (AIC).
Height 16.5 cm Width 24 cm Diameter approximately 15.5 cm Capacity 1 L ++ A chip on the neck and a pyrite during firing should be noted.
L: 24 l: 15.5 H: 16.5