With its natural rattan, this second-hand armchair brings a soft country touch to a living room or a veranda. The natural rattan chair charms with its openwork material and lightweight appearance, allowing light to circulate elegantly. Its low seat and measured proportions make it a pleasant piece for reading, entertaining, or simply enjoying a peaceful break. Placed near a window, it pairs well with a linen cushion and a lamp on a light wood side table. Note that there are some missing parts in the rattan weaving. Width: 57 cm Depth: 72 cm Height: 66 cm Seat height: 30 cm Seat width: 44 cm Seat depth: 45 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for one sole purpose: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and an inclined backrest, inviting conversation rather than rigid posture. Whether it is a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.
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Description
With its natural rattan, this second-hand armchair brings a soft country touch to a living room or a veranda. The natural rattan chair charms with its openwork material and lightweight appearance, allowing light to circulate elegantly. Its low seat and measured proportions make it a pleasant piece for reading, entertaining, or simply enjoying a peaceful break. Placed near a window, it pairs well with a linen cushion and a lamp on a light wood side table. Note that there are some missing parts in the rattan weaving. Width: 57 cm Depth: 72 cm Height: 66 cm Seat height: 30 cm Seat width: 44 cm Seat depth: 45 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for one sole purpose: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and an inclined backrest, inviting conversation rather than rigid posture. Whether it is a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.