Very good condition, see photo Painting on crumpled paper, delivered unframed "The world is elastic, spheroidal, and constantly expanding: there are multiple worlds, matter is multiple like layered. We start from a machine and end up with the rhythms of a fig tree or the seabed; conversely, we start from a horse's croup, a cello's curve, a breast or a face, and finally arrive at a gigantic mental machinery. Things escape us, constantly slipping through our fingers, imperceptibly, like sand; it's impossible to stay with the object: there are secret and contradictory transmissions, correlations, forms, primary forces, energy, upward currents, magnetic forces, driving tides, a constant back and forth; all this moves, all this creaks, all this holds together, and one must account for it on this small two-dimensional surface that is the canvas." Type: Gouache Style: 1970
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Description
Very good condition, see photo Painting on crumpled paper, delivered unframed "The world is elastic, spheroidal, and constantly expanding: there are multiple worlds, matter is multiple like layered. We start from a machine and end up with the rhythms of a fig tree or the seabed; conversely, we start from a horse's croup, a cello's curve, a breast or a face, and finally arrive at a gigantic mental machinery. Things escape us, constantly slipping through our fingers, imperceptibly, like sand; it's impossible to stay with the object: there are secret and contradictory transmissions, correlations, forms, primary forces, energy, upward currents, magnetic forces, driving tides, a constant back and forth; all this moves, all this creaks, all this holds together, and one must account for it on this small two-dimensional surface that is the canvas." Type: Gouache Style: 1970