This set of three plastic and metal armchairs boasts a very graphic Bauhaus look, enhanced by a red trim on the white structure. Designed for outdoor use, these second-hand chairs provide a suspended seat that complements moments spent on the terrace or in the garden. Their sharply designed backrest and seat create a sober presence around a summer table, in a contemporary spirit. Discovered at a flea market, they are equally suited for a veranda or an outdoor dining area, with a bouquet of flowers placed on the nearby table. Sold as a set, one set available. Width: 63.5 cm Depth: 55 cm Height: 77 cm Seat height: 41 cm Seat width: 45 cm Seat depth: 39 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century with a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat of dignity, but it emancipated under Louis XV to become this comfort furniture equipped with armrests. Unlike the chair, it favors a wider seat and an inclined backrest, inviting conversation rather than a rigid posture. Whether it’s a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" chair, it embodies the evolution of the art of living.
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Description
This set of three plastic and metal armchairs boasts a very graphic Bauhaus look, enhanced by a red trim on the white structure. Designed for outdoor use, these second-hand chairs provide a suspended seat that complements moments spent on the terrace or in the garden. Their sharply designed backrest and seat create a sober presence around a summer table, in a contemporary spirit. Discovered at a flea market, they are equally suited for a veranda or an outdoor dining area, with a bouquet of flowers placed on the nearby table. Sold as a set, one set available. Width: 63.5 cm Depth: 55 cm Height: 77 cm Seat height: 41 cm Seat width: 45 cm Seat depth: 39 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century with a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat of dignity, but it emancipated under Louis XV to become this comfort furniture equipped with armrests. Unlike the chair, it favors a wider seat and an inclined backrest, inviting conversation rather than a rigid posture. Whether it’s a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" chair, it embodies the evolution of the art of living.