Adopt this Ciak cinema armchair designed by EMU, which combines a comfortable fabric seat with a metal frame featuring graphic lines. Its design inspired by projection rooms infuses a retro-chic atmosphere, ideal for creating a reading nook, a multimedia room, or adding a unique presence to a living room. The materials provide a good structure and a pleasant touch, while its proportions offer a seat that is both contained and inviting. It brings a note of understated elegance and a warm ambiance to your interior. Width: 65 cm Depth: 50 cm Height: 82 cm Seat height: 45 cm Seat width: 45 cm Seat depth: 45 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece equipped with armrests. Unlike the chair, it favors a wider seat and a reclined backrest, inviting conversation rather than rigid posture. Whether it’s a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.
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Description
Adopt this Ciak cinema armchair designed by EMU, which combines a comfortable fabric seat with a metal frame featuring graphic lines. Its design inspired by projection rooms infuses a retro-chic atmosphere, ideal for creating a reading nook, a multimedia room, or adding a unique presence to a living room. The materials provide a good structure and a pleasant touch, while its proportions offer a seat that is both contained and inviting. It brings a note of understated elegance and a warm ambiance to your interior. Width: 65 cm Depth: 50 cm Height: 82 cm Seat height: 45 cm Seat width: 45 cm Seat depth: 45 cm A brief history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece equipped with armrests. Unlike the chair, it favors a wider seat and a reclined backrest, inviting conversation rather than rigid posture. Whether it’s a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.