This light yellow fabric armchair brings a bright and contemporary touch to a living room or bedroom. Designed by Pelfran, this second-hand seat is appealing with its French plush, removable cushion cover, and great comfort for everyday use. Its metal legs provide a more graphic base, while its seat height makes it a pleasant ally for reading, chatting, or relaxing. Carefully sourced, it easily fits into a modern interior and works well with a metal side table, a neutral rug, or a few simple cushions. Placed near a window, it gladly accommodates an open book and a cup resting on a tray. Width: 45 cm Depth: 45 cm Height: 65 cm Seat height: 42 cm Seat depth: 43 cm A Brief History of the Armchair While the chair is made for work or dining, the armchair was born in the 17th century for a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and a sloping backrest, inviting conversation rather than a rigid posture. Whether it's a "bergère" with full cheeks to shield from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.
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Description
This light yellow fabric armchair brings a bright and contemporary touch to a living room or bedroom. Designed by Pelfran, this second-hand seat is appealing with its French plush, removable cushion cover, and great comfort for everyday use. Its metal legs provide a more graphic base, while its seat height makes it a pleasant ally for reading, chatting, or relaxing. Carefully sourced, it easily fits into a modern interior and works well with a metal side table, a neutral rug, or a few simple cushions. Placed near a window, it gladly accommodates an open book and a cup resting on a tray. Width: 45 cm Depth: 45 cm Height: 65 cm Seat height: 42 cm Seat depth: 43 cm A Brief History of the Armchair While the chair is made for work or dining, the armchair was born in the 17th century for a single mission: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated itself under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and a sloping backrest, inviting conversation rather than a rigid posture. Whether it's a "bergère" with full cheeks to shield from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.