With its beige wood and red velvet fabric, this vintage armchair embodies a countryside charm full of softness. Its wooden structure creates a subtle presence, while the velvet seat and backrest add a warm touch to the living room or a reading nook. Thanks to its generous seat and enveloping back, it invites comfortable pauses, whether alone with a book or near a wooden coffee table. It naturally pairs with linen, a ceramic lamp, or a rug in natural tones. As a second-hand piece, it carries the memory of its past: a few traces of time. Width: 59 cm Depth: 46 cm Height: 93 cm Seat height: 45 cm Seat width: 53 cm Seat depth: 51 cm A little history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for a single purpose: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and an inclined back, inviting conversation rather than a rigid posture. Whether it is a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.
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Description
With its beige wood and red velvet fabric, this vintage armchair embodies a countryside charm full of softness. Its wooden structure creates a subtle presence, while the velvet seat and backrest add a warm touch to the living room or a reading nook. Thanks to its generous seat and enveloping back, it invites comfortable pauses, whether alone with a book or near a wooden coffee table. It naturally pairs with linen, a ceramic lamp, or a rug in natural tones. As a second-hand piece, it carries the memory of its past: a few traces of time. Width: 59 cm Depth: 46 cm Height: 93 cm Seat height: 45 cm Seat width: 53 cm Seat depth: 51 cm A little history of the armchair If the chair is made for work or dining, the armchair was born in the 17th century for a single purpose: rest. Its name derives from the old French "faudesteuil," a folding seat for dignitaries, but it emancipated under Louis XV to become this comfort piece with armrests. Unlike the chair, it favors a wider seat and an inclined back, inviting conversation rather than a rigid posture. Whether it is a "bergère" with full cheeks to shelter from drafts or a lighter "bridge" armchair, it embodies the evolution of the art of living.