With their workshop furniture look, this set of four second-hand chairs combines metal and dark-painted wood for a contemporary and eclectic touch. The backrest retains its original black patina, while the stackable metal structure emphasizes a simple and graphic presence. Around a dining table, they provide comfortable seating thanks to their good support. A brief history of the chair: in the Middle Ages, sitting on a chair with a backrest was a rare privilege, reserved for the person leading the assembly, the "president." For a long time, it was a symbol of prestige compared to the benches and stools of the common people, and only became a common object in the eighteenth century. It is distinguished from the armchair by the absence of armrests, designed to allow complete freedom of movement around a table or desk. Resulting from a constant quest between lightness and sturdiness, it has evolved from sculpted solid wood to more modern lines, making each seat a witness to the history of comfort.
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Description
With their workshop furniture look, this set of four second-hand chairs combines metal and dark-painted wood for a contemporary and eclectic touch. The backrest retains its original black patina, while the stackable metal structure emphasizes a simple and graphic presence. Around a dining table, they provide comfortable seating thanks to their good support. A brief history of the chair: in the Middle Ages, sitting on a chair with a backrest was a rare privilege, reserved for the person leading the assembly, the "president." For a long time, it was a symbol of prestige compared to the benches and stools of the common people, and only became a common object in the eighteenth century. It is distinguished from the armchair by the absence of armrests, designed to allow complete freedom of movement around a table or desk. Resulting from a constant quest between lightness and sturdiness, it has evolved from sculpted solid wood to more modern lines, making each seat a witness to the history of comfort.